I am raising concern about the China classic recently. It is because it has come to think that it will not be a mistake

that it understands the factor as the westernization of the Meiji date book and a driving force of subsequent economic development only

by the reason of "prompt absorption of Western civilization."

Although the right cousin of two civilization of studying the China classic etc., polishing man, and absorbing and applying Western civilization

on the foundation was picked when people who bore the central role at the time of the Meiji Restoration were young,

the subsequent generation was lost and such the foundation has run him only to external Western imitation.

While industry progressed as a result and many benefits were received,

thought inclines in the rationalism-direction too much and thinks whether to have become thin as the depth of the bosom.

If such a background is spaced through the history of Japanese fine arts, there is a satisfactory thing.

The way of the work of the writer in early stages of Meiji thinks that elegance and abundance are in a picture.

I am guessing whether the secret is buried the inside of the answer of the question what it was reappraising

the sense of values which suited before westernization.